In the summer of 1984, Eurythmics’ David Stewart and Annie Lennox were commissioned by Richard Branson and Virgin Records to compose a musical soundtrack for Michael Radford’s film version of George Orwell’s dystopian novel, Nineteen Eighty-Four. Eurythmics’ songtrack album was subsequently released one month following the film’s premiere and contained nine songs derived from the instrumental interludes Stewart and Lennox composed for the movie.
Eurythmics’ 1984 (For the Love of Big Brother) is a beloved, although often overlooked piece of work, which is considered to be the duo’s most experimental output to date. It may not have been what the film’s director commissioned, but Eurythmics’ movie songtrack was ultimately the perfect companion piece. It should be considered a crime how dreadfully overlooked and mistreated this body of work was upon its original release as well as its continued neglect. With its chilling timeliness, it’s almost hard to envisage that it was written 35 years ago. [Read Full Review]