New Year, New Decade and New Sounds

Hello 2020 and hello new possibilities. The beginning of a new year always begins with high anticipation of what’s ahead, and for me the turning of the calendar always brings to mind the promise of new music from favorite artists.

Despite another lackluster Grammy Awards ceremony, the new decade began with a bang as we were treated to the surprise release of a new album by Eminem, the third set of the Pet Shop Boys’ Stuart Price trilogy, as well as a career-spanning 18-disc box set by Depeche Mode.

As for the rest of 2020, my ears are already anxiously awaiting new records from: Garbage, The Killers, Panic! at the Disco, plus the long-awaited new set from Tame Impala. Also, in the works are new offerings from Green Day and Weezer, which will be profligately supported by this summer’s unabashed Hella Mega Tour along with Fall Out Boy.

Other noteworthy releases in the musical pipeline for the new year include the much predicted sixth album from Lady Gaga, and also Coldplay’s follow-up to last year’s unexpected Everyday Life.

So, here’s to new songs, new albums, new artists and hopefully, the demise of auto-tune used as a disconcerting crutch.

Hello 2018!

It’s a new year and that means thrilling new musical projects are on the horizon for 2018. The past year gave us quite a few gems including new releases from Tori Amos, Beck, Eminem, The Killers, U2, Guardians of the Galaxy 2’s Awesome Mix Vol. 2 and the first proper solo effort from Liam Gallagher before 2017 ultimately concluding with holiday gifts from Sia, Tom Chaplin and Gwen Stefani.

As we proceed into 2018, we have several exciting items waiting in the wings such as new albums from Florence + the Machine, Father John Misty, Justin Timberlake, MGMT, The 1975 and a new remake of A Star Is Born, containing new music from Lady Gaga. There’s also U2’s highly anticipated Experience + Innocence Tour, so 2018 sounds as if it will be engrossing.

Cheers to a great new year and happy listening to all.

 

The Killers Bring Sin City to Music City

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(Photo by Eric Allen ©2013)

Music City met Sin City when Las Vegas rock band The Killers performed at the Grand Ole Opry House in Nashville Sunday night. Dressed in black and armed with lasers, a projection screen backdrop, and a keyboard bedecked with an illuminated lightning bolt, lead singer Brandon Flowers was on fire as he tirelessly ripped through the dynamic set like a man determined to leave his perpetual mark upon the world famous venue’s stage.

The band members fed off the sold out crowd’s zealous reaction as they delivered a 21-song set list culled from their four album discography, which included “Mr. Brightside,” and “Human,” stacked against newer hits “Here with Me,” and “Runaways.” During the concert’s progression, the evening was filled with sporadic surprises including the Johnny Cash classic “Ring of Fire,” a guest appearance by Brad Paisley, and a cover of “I Think We’re Alone Now,” which was preceded by Flowers’ proclamation, “Tiffany stole this song from Tommy James and the Shondells, but tonight we’re stealing it back.”

Although it may initially sound odd for a Las Vegas rock band fronted by a Latter-day Saint to play a gig at the Grand Ole Opry, that’s precisely what took place on an electrically charged Sunday evening in the inimitably unequalled whangdoodle that is Nashville’s beloved music scene.

By night’s end, Flowers held the engrossed audience in the palm of his hand, as thousands stood on their feet while cheering, clapping, and singing along at the top of their lungs for the duration of the virtually two-hour performance. Despite a dubiously absent rendering of the band’s revered hit “Bones,” no one exited the show with any criticisms. While the Ryman Auditorium may exclusively own the moniker “The Mother Church of Country Music,” The Killers live at the Grand Ole Opry House was nonetheless a religious experience in its own right.

© 2013 ForASong Media, LLC