The Go-Go’s Nominated to Be Inducted into the Rock and Roll Hall of Fame

© 1983 I.R.S. Records/GGIFC

The Go-Go’s have hit another milestone by being nominated to become members of the historic Rock and Roll Hall of Fame. I must confess this news excites my youthful heart as The Go-Go’s were not only my first favorite band, but also my very first rock concert and front row experience.

With masterfully crafted earworms such as: “Our Lips Are Sealed,” “Vacation,” “Head Over Heels” and “We Got the Beat,” the female fivesome made history with the historic debut album, Beauty and the Beat, which sat perched atop the Billboard 200 album chart for six consecutive weeks and selling over two million copies. The double platinum Beauty and the Beat is the first and only album by an all-female rock band to achieve this monumentally historic feat, which has yet to be repeated in the four decades since.

Although the band broke up in 1984, they reunited in 1990 and went on to record a powerful fourth album in 2001 (God Bless the Go-Go’s), which featured Green Day’s Billie Joe Armstrong on the lead-off single “Unforgiven.” The Go-Go’s have continued to tour in the following years and recorded and released a new track, “Club Zero” in 2020, as well as the critically acclaimed documentary about the band lensed by History of the Eagles director Allison Ellwood.

A long overdue oversight (eloquently echoed by a recent op-ed piece in Billboard by James Duke Mason) has now been rectified and an anticipatory congratulations is extended to Belinda Carlisle, Charlotte Caffey, Gina Schock, Kathy Valentine and Jane Wiedlin. May the magical mystical power of Apollo be bestowed upon the most successful all female rock band of all time.

To cast your vote for the RRHOF 2021 nominees click here

To read more about my obsessive fandom click the titled links below:

Beauty and the Beat


Talk Show

Go-Go’s ‘Talk Show’: Something to Talk About

Exactly 35 years ago this week, my entire world revolved around awaiting the release of the Go-Go’s third album, Talk Show. Therefore, in celebration of this milestone, I’ve decided to pluck it from obscurity and revisit its virtues for posterity.

Talk Show hails from the heydays of when new wave and MTV ruled, all the way back to the early spring of 1984, but I can still remember it like it was yesterday. I achingly recall how the previous year had been sheer agony for myself and fellow Go-Go’s fanatics, as Belinda, Jane, Charlotte, Kathy and Gina seemed to all but disappear from the 80’s music scene, despite making a big splash with their two important and impactful releases; Vacation and Beauty and the Beat, both of which I have discussed previously (those can be found by clicking on the abovementioned album titles).

Producer Martin Rushent amped up the guitar crunch and added subtle sprinkles of piano and synths, consciously choosing to veer away from the girl group echoes of Richard Gottehrer’s previous album productions, which added a much-needed renewal to the Go-Go’s sound. Bassist Kathy Valentine handled the lion’s share of lead guitar licks due to Caffey’s battle with carpal tunnel, which added a noticeable frenetic ferocity throughout the album’s 10 tracks. Talk Show’s material was masterfully accentuated by Gina Schock’s unyielding and metronomic pounding of the drums, undeniably proving that Schock indeed, still had the beat. [Read full tribute here]

Deliberating the Go-Go’s ‘Vacation’ on its 35th Anniversary

After a six-week run atop Billboard’s 200 album chart with the multi-platinum debut album Beauty and the Beat, all-girl rock group the Go-Go’s hurriedly released the follow-up sophomore effort, Vacation. Echoes of previous singles “We Got the Beat” and “Our Lips Are Sealed” could still be heard across radio airwaves when “Vacation” became the band’s third hit single in the summer of ’82. The bubbly title track was the first-ever cassette single and was accompanied by its vivid and playful music video, which revealed the band members hamming it up while pretending to be highly skilled water skiers.

The Go-Go’s second studio album started off strong, but inspiration seemed as if had been stretched thin in order to quickly release a follow-up to the band’s best-selling debut. Leftovers from the Go-Go’s earlier live setlists unfortunately found their way onto the sophomore effort, effectively diluting what could’ve been a solid track listing. The obligatory cover tune “Cool Jerk” and the subpar “Beatnik Beach” sounded like fillers included to expand upon the album’s abstract beach theme. It resulted in making the Go-Go’s second album sound as if the girls had been left scrambling for quality material. Additionally, Jane Wiedlin’s heavy reliance on Webster’s rhyming dictionary (as evidenced on “Girl of 100 Lists” and “It’s Everything but Partytime”) certainly didn’t help matters. Fortunately, Kathy Valentine was aptly able to pick up her cronies’ slack by contributing the effervescent title track, the accidently prophetic “We Don’t Get Along” and the ethereal closing ballad, “Worlds Away.” [Read Full Review]

Go-Go’s: ‘Beauty and the Beat’ (30th Anniversary Edition)

It was during the days of big hair, John Hughes movies, and hanging out at the mall when five feisty beauties called the Go-Go’s became America’s sweethearts. Fronted by lead singer Belinda Carlisle and anchored by key songwriters Jane Wiedlin and Charlotte Caffey, their debut album was an important breakthrough for women in music. The multi-platinum Beauty and the Beat was the first number one album written and performed by an all-female group. It’s now been remastered and expanded into a 2-disc set (and pink vinyl) to celebrate its 30th anniversary.

Beauty and the Beat, one of the 1980s cornerstone albums of American new wave, was both groundbreaking and inspired. Yielding the hits “Our Lips Are Sealed’ and “We Got The Beat,” this seminal recording has never sounded better than here on this new remaster, which manages to breathe new life into these songs no matter how many times you’ve listened to them.

“Can you hear them/They talk about us/Telling lies, well that’s no surprise,” sang Carlisle in “Our Lips Are Sealed,” which could be heard blasting from every car stereo during the summer of 1981. That breakthrough hit was soon followed up by “We Got The Beat,” which became the group’s most successful song and spent three weeks at number two on the U.S. hot 100. The classic 80s anthem’s lyrics “See the kids just getting out of school/They can’t wait to hang out and be cool,” left an indelible impression on pop culture.

The Go-Go’s magic relied on the masterful blending of upbeat melodies, catchy hooks, and background harmonies layered upon sad lyrics, while delivered with undeniable attitude. “Get dressed up and messed up/Blow our cares away/We rule the streets tonite/Until the morning light,” declares Carlisle with energetic angst during the frenetic “Tonite.” Carlisle gets right into your face as she sings “Change the lines that were said before/We’re all dreamers, we’re all whores/This town is our town, it is so glamorous/Bet you’d live here if you could and be one of us,” with an undeniable aggressiveness during the Hollywood ode “This Town.”

This newly released 2-disc set gives fans a chance to hear both sides of the group: the raw energy and post-punk edginess of their live performances never captured on their studio recordings, as well as the smoothed out pop-gloss sound most associated with the band. Disc one is comprised of the full remastered album, while the second disc contains a previously unreleased live concert from 1981. The live disc includes songs that have never appeared on any Go-Go’s album, in addition to an early version of the hit single “Vacation,” complete with alternate lyrics that differ greatly from the well-known recorded version.

The anniversary edition of Beauty and the Beat shows this album still holds up surprisingly well thirty years later, which is a testament to the energetic spirit captured in this musical zeitgeist of the 80s. Unfortunately, it also serves as a reminder that the Go-Go’s were never able to equal or surpass the success of this landmark debut with the band’s subsequent releases. Their beauty may have faded over the years, but their beat still sounds almost as timeless today on this seminal 80s album as it did thirty years ago.

© 2011 ForASong Media, LLC